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PARIS
PARTIES --- PARTING
PARTISANSHIP --- PASSION
PASSIVE RESISTANCE --- PASSPORTS

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see: "PLACES" for related links


Most tourist attractions ... have some kind of lookout
point at the top that you, the tourist, are encouraged
to climb to via a dark and scary medieval stone staircase
containing at least 5,789 steps and the skeletons of
previous tourists (you can tell which skeletons are
American, because they're wearing sneakers). If you
make it to the top, you are rewarded with a sweeping
panoramic view of dark spots before your eyes caused
by lack of oxygen. Meanwhile, down at street level,
the Parisians are smoking cigarettes and remarking, in
French, "Some of them are still alive! We must build
more medieval steps!"
--Dave Barry (b. 1947)
American humorist.
_Dave Barry Is Not Taking This Sitting Down_ [2002]

By eight-thirty Paris is a terrible place for walking. There's too
much traffic. A blue haze of uncombusted diesel hangs over
every boulevard. I know Baron Haussmann made Paris a grand
place to look at, but the man had no concept of traffic flow. At
the Arc de Triomphe alone, thirteen roads come together. Can
you imagine? I mean to say, here you have a city with the world's
most pathologically aggressive drivers — drivers who in other
circumstances would be given injections of Valium from syringes
the sizes of bicycle pumps and confined to their beds with leather
straps — and you give them an open space where they can all
try to go in any of thirteen directions at once. Is that asking for
trouble or what?
--Bill Bryson (b. 1951)
American writer of humorous travel books.
_Neither Here Nor There_ [1991] "Paris"

If you are lucky enough to have lived in Paris as a young man, then
wherever you go for the rest of your life, it stays with you, for Paris
is a movable feast.
--Ernest Hemingway (1889—1961)
American novelist.
_A Moveable Feast_ [1964] (epigraph)

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. . . The [Eiffel] tower is so beloved that few today remember the storm of vitriol, mockery and lawsuits provoked by its selection as the startling centerpiece of the 1889 Paris Exposition Universelle. (One of the losing entries was a gigantic working guillotine!) Even as Eiffel was breaking ground by the Seine River in February 1887, 47 of France's greatest names decried in a letter to Le Temps the "odious column of bolted metal." What person of good taste, this flock of intellectuals asked, could endure the thought of this "dizzily ridiculous tower dominating Paris like a black and gigantic factory chimney, crushing [all] beneath its barbarous mass"? The revered painters Ernest Meissonier and William-Adolphe Bouguereau, writers Guy de Maupassant and Alexandre Dumas fils, composer Charles Gounod and architect Charles Garnier all signed this epistolary call to arms, stating that "the Eiffel Tower, which even commercial America would not have, is without a doubt the dishonor of Paris." [...]

Not until 1929 (six years after Eiffel's death) did another structure surpass the Eiffel Tower in height. It was the Chrysler Building at 1,046 feet. Two years later, the Empire State Building wrested away that title by reaching 1,250 feet. Moreover, while Gustave Eiffel's original contract called for him to disassemble his tower after 20 years, he ensured the survival of his magnum opus by making it an indispensable part of the French military's radio network.

Megaskyscrapers have long since overshadowed the Eiffel Tower's status as the world's tallest structure. And yet, the Eiffel Tower still speaks uniquely to the human fascination with science and technology and to the human desire for pleasure and joie de vivre. In 1889, Jules Simon, the republican politician and philosopher, declared, "We are all citizens of the Eiffel Tower," a sentiment as true today as it was then.

--Jill Jonnes
"'Odious Column' of Metal
The Eiffel Tower wasn't always a beloved icon"
_The Wall Street Journal_ [9 May 2009]

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How you Gonna Keep 'Em Down on
the Farm After They've Seen Paree?
--Sam M. Lewis (1885—1959) and Joe Young (1889—1939).
Referring to American soldiers in France during WWI, song title [1919].

When Paris sneezes, the rest of Europe catches a cold.
--Klemens Wenzel von Metternich (1773—1859)
Austrian politician and statesman.
1830 remark quoted in "Journal of Politics" [August 1949].

[Of Paris:]
She has had my heart since my childhood. ... I love her
tenderly, even to her warts and her spots. I am French
only by this great city: the glory of France, and one of
the noblest ornaments of the world.
--attributed to Michel Eyquem de Montaigne (1533—1592)
French moralist and essayist.

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In the meantime, I was stuck in Paris. A lot of
people get all moist and runny at the mention
of this place. I don't get it. It's just a big city, no
dirtier than most. It does have nice architecture
because the French chickened out of World War
II. But it's surrounded by the most depressing
ring of lower-middle-class suburbs this side of
Smolensk. In fact, one of these suburbs is actually
named Stalingrad, which goes to show that the
French have learned nothing about politics since
they guillotined all the smart people in 1793.
--P.J. O'Rourke (b. 1947)
American political satirist.
_Holidays in Hell_ [1989] "Among the Euro-Weenies"


The next night I called my girlfriend who was back
in the States and, no doubt, happily contemplating
the sterling silver Elsa Peretti refrigerator magnet
I'd bought her to make up for Christmas. She's
spent a lot of time in Paris. "Where's a good place
for dinner?" I asked. "There's the Brasserie Lipp
on the Avenue St. Germaine." she said, "or La
Coupole in Montmartre." "Not La Coupole," I said.
"I've been there before. That's the place that's
crowded and noisy and smells bad and everybody's
rude as hell, isn't it?" "I think you just described
France," she said.
--P.J. O'Rourke (b. 1947)
American political satirist.
_Holidays in Hell_ [1989] "Among the Euro-Weenies"

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My dad took me to Paris for the weekend. We had the
most amazing time. On the plane back to London, he
asked me, "Do you know why I took you to Paris —
only you and me?" And I said, "Why?" And he said,
"Because I wanted you to see Paris for the first
time with a man who would always love you."
--Gwyneth Paltrow (b. 1971)
American film actress.
_Parade Magazine_ [January 1999], "It Was a Real Awakening for Me"

Paris is the middle-aged woman's paradise.
--Arthur Wing Pinero (1855—1934)
British playwright.
_The Princess and the Butterfly_ [1896]

I love Paris in the springtime.
--Cole Porter (1892—1964)
American songwriter.
"I Love Paris" [1953 song], in the musical _Can Can_.

In Paris they simply stared when I spoke to them in
French; I never did succeed in making those idiots
understand their own language.
--attributed to Mark Twain [Samuel Langhorne Clemens] (1835—1910)
American humorist, novelist, journalist, and river pilot.





PARTIES

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see: "COMPANY (HAVING)"
see: "GUESTS"
see: "HOSPITALITY"
see: "WELCOME"
see: "ENTERTAINMENT, HOBBIES, & LEISURE ACTIVITIES" for other related links
see: "HOME & FAMILY" for other related links


There's an awfully revealing anecdote about T.S. Eliot.
A woman who was seated next to him at a table said,
"Isn't the party wonderful?" He said, "Yes, if you see
the essential horror of it all."
--W.H. [Wystan Hugh] Auden (1907—1973)
English-born poet and man of letters.
[15 January 1947], in _The Table Talk of W. H. Auden_ [1990].

Then I commended mirth, because a man hath no
better thing under the sun, than to eat, and to drink,
and to be merry.
--Bible
"Ecclesiastes" 8:15

Let us have wine and women, mirth and laughter,
Sermons and soda water the day after.
--Lord Byron [George Gordon Byron] (1788—1824)
English Romantic poet and satirist.
_Don Juan_ [1819], canto II, st. 178

[Referring to a witty rejoinder remembered after one has left a party:]
Staircase wit.
--Denis Diderot (1713—1784)
French writer and philosopher.
_Paradoxe sur le Comediιn_ [1773-78]

^

Most of the rich have liked partying, and since the less
rich like being the admiring guests of their financial
betters, there is a never-ending stream of party fodder.
Though perhaps not always with the happiest of results
— as the slightly down-market guests of the Emperor
Heliogabalus discoved when one of them remarked
how pleasant it would be to be smothered in the scent
of roses that adorned the imperial table, and the rest
agreed. Taking them at their word, the next time the
same guests came to dinner the emperor had several
tons of petals dumped over the dinner table. The
guests' reaction on this occasion passed unrecorded.
They had suffocated.
--David Frost and Michael Deakin
_David Frost's Book of Millionaires, Multimillionaires,
and Really Rich People_ [1984]

^

The best number for a dinner party is two
— myself and a dam' good head waiter.
--Nubar Gulbenkian (1896—1972)
British industrialist and philanthropist.
In "Daily Telegraph" [14 January 1965].

At a dinner party one should eat wisely
but not too well, and talk well but not
too wisely.
--W. Somerset Maugham (1874—1965)
English novelist, playwright, and short-story writer.
_A Writer's Notebook_ [1949], [entry from 1896]

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[Of a cocktail party she had attended:]
One more drink and I'd have been under the host!
--Dorothy Parker (1893—1967)
American critic and humorist.
Quoted in Bennett Cerf _Try and Stop Me_ [1944].


[On being told at a party that people were ducking for apples:]
There, but for a typographical error, is the story of my life.
--Dorothy Parker (1893—1967)
American critic and humorist.
Quoted in _The Algonquin Wits_ (ed.) Robert E. Drennan [1968].

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Dinner at the Huntercombes' possessed only two dramatic
features: the wine was a farce and the food a tragedy.
--Anthony Powell (1905—2000)
English novelist.
_The Acceptance World_ [1955]

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At this moment in the fiesta, when the dance was
loveliest and when song was linked to song, the
Spaniards were seized with an urge to kill the
celebrants. They all ran forward, armed as if for
battle. They closed the entrances and passageways,
all the gates of the patio ... They posted guards so
that no one could escape, and then they rushed
into the sacred patio to slaughter the celebrants.

--Bernardino de Sahagun (c. 1500—1590)
Franciscan missionary.
_The General History of the Things of New Spain_ [c.1555] in M.J.
Cohan and John Major (eds.) p. 328 _History in Quotations_ [2004].
Cohan & Major explain:
Sahagun, a Franciscan missionary, immersed himself in the
life, culture and history of the Aztecs. The three-volume
Codex, written in two columns, one in Nahuati and the
other in Spanish, provides an illustrated encyclopedia of
Mexican civilization. This action was the immediate cause
of the revolt that drove the Spaniards out of the city.

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An office party is not, as is sometimes supposed,
the Managing Director's chance to kiss the tea-
girl. It is the tea-girl's chance to kiss the
Managing Director.
--Katherine Whitehorn (b. 1928)
English journalist.
_Roundabout_ [1962] "The Office Party"

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bacchanalia [bak-uh-NAIL-yuh], noun:
1. (plural, capitalized) The ancient Roman festival in honor
of Bacchus, celebrated with dancing, song, and revelry.
2. A riotous, boisterous, or drunken festivity; a revel.

convivial [kuhn-VIV-ee-uhl], adjective:
Relating to, occupied with, or fond of feasting,
drinking, and good company; merry; festive.

fκte (noun) [fet or feyt]
A small festival or large party.

gregarious (adj.) [grκ-'gζr-ee-κs]
Seeking out and enjoying the company of others; aggressively sociable.

potlatch (noun) ['pat-lζch]
A social event, especially one given to express the wealth and
generosity of the host in expectation of something in return.
The word is used mainly in the Northwestern U.S..

regale [rih-GAY(uh)L], transitive verb:
1. To entertain with something that delights.
2. To entertain sumptuously with fine food and drink.
3. To feast.
4. A sumptuous feast.

roister [ROY-stur], intransitive verb:
1. To engage in boisterous merrymaking;
to revel; to carouse.
2. To bluster; to swagger.

shindig (noun)
A noisy and festive party or celebration.

soiree [swah-RAY], noun:
An evening party or social gathering.




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PARTING

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see: "BREAKING UP"
see: "GOODBYE"
see: "LEAVING"
see: "REJECTION"
see: "LOVE & MARRIAGE (OR NOT)" for other related links

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... What'll I do
When you
Are far away
And I am blue,
What'll I do?
What'll I do
When I
Am wond'ring who
Is kissing you,
What'll I do?
What'll I do
With just
A photograph
To tell my troubles to?
When I'm alone
With only
Dreams of you
That won't come true,
What'll I do? ...

--Irving Berlin (1888—1989)
American songwriter.
"What'll I Do?" [1924 song]

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Had we never lov'd sae kindly,
Had we never lov'd sae blindly,
Never met — or never parted,
We had ne'er been broken-hearted.
--Robert Burns (1759—1796)
Scottish poet and songwriter.
"Ae Fond Kiss" st. 2

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What is the worst of woes that wait on age?
What stamps the wrinkle deeper on the brow?
To view each loved one blotted from life's page,
And be alone on earth, as I am now.
--Lord Byron [George Gordon Byron] (1788—1824)
English Romantic poet and satirist.
_Childe Harold's Pilgrimage_, canto II, st. 98 [1812]


But still her lips refused to send — 'Farewell!'
For in that word, that fatal word — howe'er
We promise, hope, believe — there breathes despair.
--Lord Byron [George Gordon Byron] (1788—1824)
English Romantic poet and satirist.
_The Corsair, A Tale_, canto I, st. 15 [1814]


Fare thee well! and if forever,
Still forever, fare thee well.
--Lord Byron [George Gordon Byron] (1788—1824)
English Romantic poet and satirist.
"Fare Thee Well", st. 1 [1816]

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I'll be back.
--James Cameron (b. 1954)
Canadian-born American film director.
"The Terminator" [1984 film], spoken by Arnold Schwarznegger.

Parting is all we know of heaven,
And all we need of hell.
--Emily Dickinson (1830—1886)
American poet.
"My life closed twice before its close", l. 7 [unknown date]

Parting is worse than death; it is death of love!
--John Dryden (1631—1700)
English poet, critic, and dramatist.
Attributed in Maturin M. Ballou _Treasury of Thought_, p. 379 [10th ed. 1884].

[Referring to her estranged brother:]
His years with others must the sweeter be
For those brief days he spent in loving me.
--George Eliot [Mary Ann Evans] (1819—1880)
English novelist.
"Brother and Sister", st. IX

There is not so much comfort in the having of
children as there is sorrow in parting with them.
--Thomas Fuller (1654—1734)
English writer and physician.
_Gnomologia_ [1732]

To leave is to die a little;
To die to what we love.
We leave behind a bit of ourselves
Wherever we have been.
--Edmond Haraucourt (1857—1941)
French poet.
_Choix de Poιsies_ [1891] "Rondel de l'Adieu"

The friendship that can cease has never been real.
--Saint Jerome (c. 340—420?)
Translator of the Bible from Greek and Hebrew into Latin.
_Letter 3_

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Cathedral bells were tolling
And our hearts sang on,
Was it the spell of Paris
Or the April dawn?
Who knows if we shall meet again?
But when the morning chimes ring sweet again:

I'll be seeing you
In all the old familiar places
That this heart of mine embraces
all day through.
In that small cafι,
The park across the way,
The children's carousel,
The chestnut trees, the wishing well.
I'll be seeing you
in ev'ry lovely summer's day,
In ev'rything that's light and gay,
I'll always think of you that way.
I'll find you in the morning sun,
And when the night is new
I'll be looking at the moon,
But I'll be seeing you.

--Irving Kahal (1903—1942)
American lyricist who parterned with
Sammy Fain (1902—1989)
American composer of popular music.
"I'll Be Seeing You" [1938 song]

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[Rufus T. Firefly (Groucho Marx):]
If you can't leave in a taxi you can leave
in a huff. If that's too soon, you can leave
in a minute and a huff.
--"Duck Soup" [1933 film]
Screenplay by Bert Kalmar and Harry Ruby.

She said she always believed in the old
adage, 'Leave them while you're looking
good.'
--Anita Loos (1893—1981)
American novelist and Hollywood screenwriter.
"Gentlemen Prefer Blondes" [1925]

It's no good trying to keep up old friendships. It's painful for both
sides. The fact is, one grows out of people, and the only thing is
to face it.
--W. Somerset Maugham (1874—1965)
English novelist, playwright, and short-story writer.
_Cakes and Ale_ [1930]

We're drinking my friend,
To the end of a brief episode,
Make it one for my baby
And one more for the road.
--Johnny Mercer (1909—1976)
American songwriter.
"One For My Baby" [1943 song]

Love never dies a natural death. It dies because
we don't know how to replenish it's source. It
dies of blindness and errors and betrayals. It
dies of illness and wounds; it dies of weariness,
of witherings, of tarnishings.
--Anaοs Nin (1903—1977)
French-born American writer.
_Winter of Artifice_ [1939]

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We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.
Keep smiling through, just like you always do,
'Til the blue skies drive the dark clouds far away.

So will you please say hello to the folks that I know,
Tell them I won't be long.
They'll be happy to know that as you saw me go,
I was singing this song,
We'll meet again, don't know where, don't know when,
But I know we'll meet again, some sunny day.

--Ross Parker (1914—1974) & Hughie Charles (1907—1995)
British songwriters.
"We'll Meet Again" [1939 song]
(Made famous by British singer Vera Lynn and gave its name
to the 1943 musical film in which she played the lead role.)

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Ev're time we say goodbye
I die a little,
Ev'ry time we say goodbye
I wonder why a little.
--Cole Porter (1892—1964)
American songwriter.
_Ev'ry Time We Say Goodbye_ [1944 song]

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Good-night, good-night! parting is such sweet sorrow
That I shall say good-night till it be morrow.
--William Shakespeare (1564—1616)
English dramatist.
_Romeo and Juliet_, II, ii [1595—1596]


I do desire we may be better strangers.
--William Shakespeare (1564—1616)
English dramatist.
_As You Like It_, III, ii [1599]


Now cracks a noble heart. Good night, sweet prince,
And flights of angels sing thee to thy rest.
--William Shakespeare (1564—1616)
English dramatist.
_Hamlet_, V, ii [1601]


Come, my coach. Good night ladies, good
night. Sweet ladies, good night, good night.
--William Shakespeare (1564—1616)
English dramatist.
_Hamlet_, IV, v [1601]


Sweets to the sweet. Farewell.
--William Shakespeare (1564—1616)
English dramatist.
_Hamlet_, V, i [1601]

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Parting and forgetting! What faithful heart can do these? Our great
thoughts, our great affections, the Truths of our life, never leave us.
Surely, they cannot separate from our consciousness; shall follow
it whithersoever that shall go; and are of their nature divine and
immortal.
--William Makepeace Thackeray (1811—1863)
English novelist.
_The History of Henry Esmond_, ch. VI [1852]

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sunder [SUN-dur], transitive verb:
1. To break apart; to separate; to divide; to sever.
2. To become parted, disunited, or severed.

valediction (noun)
A speech or statement made as a farewell.
Synonyms: valedictory, valedictory address




PARTISANSHIP

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see: "POLITICS" for related links


There can not a greater judgment befall a country than
such a dreadful spirit of division as rends a government
into two distinct people, and makes them greater strangers
and more averse to one another than if they were actually
two different nations.
--Joseph Addison (1672—1719)
English essayist, poet, and dramatist.
_The Spectator_ [24 July 1711]

If we mean to support the liberty and independence which
it has cost us so much blood and treasure to establish, we
must drive far away the demon of party spirit and local
reproach.
--George Washington (1732—1799)
American general and commander-in-chief of the
colonial armies in the American Revolution [1775-83]
and first president of the United States [1789-97].
Letter to Arthur Fenner [4 June 1790].




PASSION

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see: "EMOTIONS & FEELINGS" for related links
see: "LOVE & MARRIAGE (OR NOT)" for related links


To grow old is to pass from passion to compassion.
--Albert Camus (1913—1960)
French novelist, dramatist, and essayist who won
the 1957 Nobel Prize for Literature.
Quoted in _Carnets, 1935-1942_ [pub. by Hamish Hamilton, 1963, 2nd ed.].

Man is only great when he acts from his passions.
--Benjamin Disraeli (1804—1881)
British Tory statesman, novelist, and Prime Minister [1868, 1874-80].
_Coningsby_, bk. 4, ch. 13 [1844]

If Passion drives, let Reason hold the Reins.
--Benjamin Franklin (1706—1790)
American politician, inventor, and scientist.
_Poor Richard's Almanack_ [May 1749]

Some of these philosophers tried to extinguish
all of their passions, as did the Cynics and
Stoics. That is evidently madness, for we
cannot extinguish passion without destroying
our whole body.
--Arnold Geulincx [ pseu.: Philaretus] (1624—1669)
Flemish metaphysician and logician.
_Ethics_ [published posthumously]

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Your reason and your passion are the rudder
and the sails of your seafaring soul.

If either your sails or your rudder be broken,
you can but toss and drift, or else be held
at a standstill in mid-seas.

--Kahlil Gibran (1883—1931)
Lebanese poet.
"On Reason and Passion" in _The Prophet_ [1923].

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Feminine passion is to masculine as an epic is to an epigram.
--attributed to Karl Kraus (1874—1936)
Austrian satirist.

-

The passions are the only advocates which always
persuade. They are a natural art, the rules of which
are infallible; and the simplest man with passion will
be more persuasive than the most eloquent without.
--Franηois de La Rochefoucauld (1613—1680)
French classical author.
_Reflections; or, Sentences and Moral Maxims_ [1678], maxim 8


Absence diminishes mediocre passions and
increases great ones, as the wind blows out
candles and fans fire.
--Franηois de La Rochefoucauld (1613—1680)
French classical author.
_Reflections; or, Sentences and Moral Maxims_ [1678], maxim 276

-

He submits himself to be seen through a microscope,
who suffers himself to be caught in a fit of passion.
--Johann Kaspar Lavater (1741—1801)
Swiss writer, Protestant pastor, and founder of physiognomics.
Attributed in James Wood (ed.) _Dictionary of Quotations ..._, p. 145 [1893].

Be still when you have nothing to say; when genuine
passion moves you, say what you've got to say, and
say it hot.
--D.H. (David Herbert) Lawrence (1885—1930)
English novelist and poet.
_Studies In Classic American Literature_, ch. II [1923]

[Ambition] is so powerful a passion in the human breast,
that however high we reach we are never satisfied.
--Niccolς Machiavelli (1469—1527)
Florentine statesman and political philosopher.
_The Discourses_ [1517]

When the tongue or the pen is let loose in a frenzy
of passion, it is the man, and not the subject, that
becomes exhausted.
--Thomas Paine [spelled Pane prior to 1774] (1737—1809)
English-American writer and political pamphleteer.
_Rights of Man_ [1791]

The ruling passion, be it what it will,
The ruling passion conquers reason still.
--Alexander Pope (1688—1744)
English poet.
_Epistles to Several Persons_ "To Lord Bathurst", l. 155 [1733]

-

A wise man rules his passions, a fool obeys them.
--Publilius Syrus (85—43 B.C.)
Latin writer of mimes who was originally a slave.
In D. Lyman _The Moral Sayings of Publius Syrus_ [1856].

Who is strong? He who subdues his impulses.
--Talmud (A.D.1st-6th cent.)
Rabbinical writings.
Quoted in Louis I. Newman (comp.) _The Talmudic Anthology_ [1945].

The happiness of man in this life does not consist
in the absence, but in the mastery, of his passions.
--Alfred, Lord Tennyson (1809—1892)
English poet.
--French proverb, as quoted in D. E. MacDonnel
_A Dictionary of Quotations in Most Frequent Use..._ [1809 ed.].




PASSIVE RESISTANCE

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.

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History, and religious and moral opinion, have so
enshrined Gandhi in this sacred matrix that in many
quarters it is blasphemous to question whether this
entire procedure of passive resistance was not simply
the only intelligent, realistic, expedient program
which Gandhi had at his disposal; and that the
"morality" that surrounded this policy ... was to
a large degree a rationale to cloak a pragmatic
program with a desired and essential moral cover.

... Gandhi did not have the guns, and if he had had
the guns, he would not have had the people to use
the guns. Gandhi records in his _Autobiography_
his astonishment at the passivity and submissiveness
of his people in not retaliating or even wanting
revenge against the British.

... The contention that it was a pragmatic, rather than
a principled decision, is based on the Declaration of
Independence of Mahatma Gandhi issued on January
26, 1930, where he discussed "the fourfold disaster to
our country." His fourth indictment against the British
reads: "Spiritually, compulsive disarmament has made
us unmanly, and the presence of an alien army of
occupation, employed with deadly effect to crush in us
the spirit of resistance, has made us think we cannot ...
even defend our homes and families ..." These words
more than suggest that if Gandhi had had the weapons
for violent resistance and the people to use them this
means would not have been so unreservedly rejected
as the world would like to think.

--Saul Alinsky (1909—1972)
American community organizer and writer.
_Rules for Radicals_ [1971], Vintage Books, pp. 38-9

& note:

Among the many misdeeds of the British rule in India,
history will look upon the Act of depriving a whole
nation of arms, as the blackest.
--Mohandas K. Gandhi (1869—1948)
Indian statesman and leader of the nationalistic
movement against British rule.
_An Autobiography or The Story of My Experiments with Truth_, p. 446 [1927]

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PASSPORTS

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.

see: "TRAVEL" for related links


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The most precious book I possess is my passport.
Like most such bald assertions, this will come
across as something of an overstatement. A passport,
after all, is a commonplace object. You probably
don't give a lot of thought to yours most of the
time. Important travel document; try not to lose
it, terrible photograph, expiry date coming up
soonish: In general, a passport requires a relatively
modest level of attention and concern.

And when, at each end of a journey, you do have
to produce it, you expect it to do its stuff without
much trouble. Yes, officer, that's me, you're right,
I do look a bit different with a beard, thank you,
officer, you have a nice day too.

A passport is no big deal. It's low-maintenance.
It's just ID.

I've been a British citizen since I was 17, so my
passport has indeed done its stuff efficiently and
unobtrusively for a long time now, but I have
never forgotten that all passports do not work
in this way.

My first — Indian — passport, for example, was
a paltry thing. Instead of offering the bearer a
general open-sesame to anywhere in the world,
it stated in grouchy bureaucratic language that
it was valid only for travel to a specified — and
distressingly short — list of countries. On
inspection, one quickly discovered that this list
excluded almost any country to which one might
actually want to go. Bulgaria? Romania? Uganda?

North Korea? No problem. The USA? England?
Italy? Japan? Sorry, sahib. This document does
not entitle you to pass those ports. Permission to
visit attractive countries had to be specially applied
for and, it was made clear, would not easily be
granted. Foreign exchange was one problem.

India was chronically short of it, and reluctant
to get any shorter. A bigger problem was that
many of the world's more attractive countries
seemed unattracted by the idea of allowing us
in. They had apparently formed the puzzling
conviction that once we arrived we might not
wish to leave.

"Travel," in the happy-go-lucky, pleasure-seeking,
interest-pursuing, vacationing Western sense, was
a luxury we in India were not allowed. We could,
if we were lucky, be granted permission to make
trips that were absolutely necessary. Or, if unlucky,
denied such permission, which was just our tough
luck.

In "Among the Believers," V.S. Naipaul's book
about his travels in the Muslim world, a young
man who has been driving the author around in
Pakistan admits that he doesn't have a passport
and, keen to go abroad and see the world,
expresses a yearning for one. Naipaul reflects,
more than a little caustically, that it's a shame
that the only freedom in which this young fellow
appears to be interested is the freedom to leave
the country.

When I first read this passage, years ago, I had
a strong urge to defend that young man against
the celebrated writer's celebrated contempt. In
the first place, the desire to get out of Pakistan,
even temporarily, is one with which many people
will sympathize. In the second and more
important place, the thing that the young man
wants — freedom of movement across frontiers
— is, after all, a thing that Naipaul himself takes
for granted, the very thing, in fact, that enables
him to write the book in which the criticism is
made.

I once spent a day at the immigration barriers at
London's Heathrow Airport, watching the treatment
of arriving passengers by immigration personnel.
It did not amaze me to discover that most of the
passengers who had some trouble getting past the
control point were not white but black or Arab-
looking.

What was surprising is that there was one factor
that overrode blackness or Arab looks. That factor
was the possession of an American passport.
Produce an American passport, and immigration
officers at once become color blind, and wave
you quickly on your way, however suspiciously
non-Caucasian your features.

To those to whom the world is closed, such
openness is greatly to be desired. Those who
assume that openness to be theirs by right perhaps
value it less. When you have enough air to breathe,
you don't yearn for air. But when breathable air
gets to be in short supply, you quickly start
noticing how important it is. Freedom's like
that, too.

--Sir Salman Rushdie (b. 1947)
Indian-born British novelist.
_Step Across This Line: Collected Non-Fiction from 1992 to 2002_ [2002]

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